Welcome !! A Call to Participants & "Faits Divers & Fate's Divers"

I started this blog as a site where poets, artists, Visual Poets, Mail Artists, researchers, essayists, reviewers, artist-ragers, zine makers, comix, graffiti makers may have a place to contribute and display works which express their visions of the historical and contemporary interelated lives of Anarchy & the Arts--
This site is for any persons who are actively interested in and working in these areas
Theoretical letters are welcome, stories, photos, anything which
investigates the everyday all around one with a questioning Anarkeyological spirit & energy. Insight and Incite!
If you are interested please contact me at



Since to an American ear and reader the homophonic punning possibilities of the title "Faits Divers" in French are completely absent, IL Maestro di "PAROLE IN LIBERACE" Professore G-A Vidiamodopo suggests instead the use of an American homophonic translation, in order to keep alive the sense of
"Une Joie de Vivre qui se trouve a travers les Jeux du Mots."
(A Joy of Life found through Plays on Words)

--and now allow me to turn over the podium to our illustrious and well-beloved colleague, Il Maestro, Giulio Agosto di Vidiamodopo--

the Fondatore, who has given us the eternally generative legacy of his never-to-exhausted "Grand Song of the Open Piano" under the sign of his immortal


echoes of which one may find in all manifestations Visual Sonic Visceral which in their very most particulate, singular and also massed, on-flowing wave existences acknowledge the inspiring and influential, ceaselessly experimenting presence of Il Maestro among their notations of Found and Accidental scores . .

Then, with a magnificent flourish, Il Maestro di Parole in Liberace enters stage left and announces the entry into the world of the "Faits Divers--Fates' Divers"--

Special Forces' Lieutenant X announces the Vernissage of his "Celestial Snuff Films" at Galeria Gore,Friday, 19:00-24:00 hr. Combining his Fighter Jet's elegantly enhanced and edited videos with his own high powered zoom photos and infra red images, the young hero creates the "Theater of Certain Death" as seen by both the "Omniscient Eye's View from Above," and the "subjective focus on the Eroticism of the Subject's Snuffing on the ground."

Exactly at 8, the New American Extreme Experimental Fascist Poets' opening salvo of "Militarized Morphemes" created Pure Terror. Renditioning subjects from the audience using Chance Operations, the Poets undertook "Interrogations of Parole" via the branding of each Tongue as a Forbidden Langue. By making speech mute, projected words announced, the subject existed now only as name brands of material language.

Felix Feneon Editing La Revue Blanche --painted by Felix Vallotton

Felix Feneon Editing La Revue Blanche --painted by Felix Vallotton

from Nouvelles en trois lignes/Three Line News Items/ Short Stories

Feneon created the simultaneous "news/"stories" of his Nouvelles
with perhaps "more in mind" than his own punning use of the Faits Divers' Nouvelles en trois lignes--

he may have been thinking also of the example of Gusrave Flaubert
who several decades earlier had created out of a provincial journal’s Faits Divers the novel Madame Bovary:

“Delphine Delamare, 27, wife of a medical officer in Ry, displayed insufficient austerity. Worse, she ran up debts. To avoid paying them, she took poison.”

Nurse Elise Bachmann, whose day off was yesterday, put
on a public display of insanity.

A complaint was sworn by the Persian physician Djai Khan
against a compatriot who had stolen from him a tiara.

A dozen hawkers who had been announcing news of a
nonexistent anarchist bombing at the Madeleine have
been arrested.

A certain madwoman arrested downtown falsely claimed
to be nurse Elise Bachmann. The latter is perfectly sane.

On Place du Pantheon, a heated group of voters attempted
to roast an effigy of M. Auffray, the losing candidate. They
were dispersed.

Arrested in Saint-Germain for petty theft, Joël Guilbert
drank sublimate. He was detoxified, but died yesterday of
delirium tremens.

The photographer Joachim Berthoud could not get over the
death of his wife. He killed himself in Fontanay-sous-Bois.

Reverend Andrieux, of Roannes, near Aurillac, whom a
pitiless husband perforated Wednesday with two rifle
shots, died last night.

In political disagreements, M. Begouen, journalist, and
M. Bepmale, MP, had called one another "thief" and
"liar." They have reconciled.

Tuesday, December 30, 2008

Carlos Latuff: Interview with the Cartoonist Activist

Carlos Latuff 25/12/2008


An interview with Carlos Latuff, cartoonist/activist

By Carlos Latuff • Dec 25th, 2008 at 23:50 • Category: Artwork, Biography, Grassroots Activism, Interviews, Israel, Newswire, Palestine, Religion, Resistance, War, Zionism


(Ben Heine © Cartoons)He has been alternatively praised and vilified in the press for his depictions of suffering in places like the Palestinian Territories, Iraq, and the slums of Latin America. But Brazilian cartoonist Carlos Latuff says he is not out to please anyone. MENASSAT spoke with Latuff on the heals of a newly released series of cartoons about Iraqi journalist Muntazer Al-Zaidi.

Scenes from Carlos Latuff's comic-book, Captain Iraq - flank a real-world hero in the Arab world: the Iraqi shoe-throwing journalist, Muntazer Al-Zaidi. © Carlos Latuff

BEIRUT, December 23, 2008 (MENASSAT) — Carlos Latuff, 40, is nothing short of a one-man cartoon wrecking-ball when he hits the ink.
Based in Rio de Janeiro, Brazil, Latuff has spent the last 15 plus years crafting a style that can best be described as "populist cartooning." He has touched on issues like Apartheid in South Africa, the plight of Native Americans in the US and the oppression of Tibetans in China.

But perhaps his most controversial series to date is "We are all Palestinians," in which he compares the actions taken by the Israeli government towards Palestinians in the West Bank and Gaza Strip directly to the Nazi's treatment of Jews.

In a December interview with the Jewish cultural scholar Eddy Portnoy, Latuff said, "It happens to be Israeli Jews that are the oppressors of Palestinians. If they were Christians, Muslims or Buddhists, I would criticize them the same way."

Latuff's cartoon series of world leaders like former Israeli prime minister Ariel Sharon, outgoing US president George W. Bush and British PM Tony Blair conjure up the distorted, monster-like depictions of UK-based stencil graffiti artist, Shepard Farley.

And his irreverent take on recent issues like the Bush shoe-throwing incident with the Iraqi journalist Muntazer al-Zaidi has continued to stir-up hundreds of online comments equally praising and decrying his work.

i-heart-girl writes in one online forum, "Your pieces have inspired me to keep hoping, praying, and working for peace and the end of corruption, no matter how fruitless the attempt may seem. I hope you can continue to bring awareness to the ignorant."

MENASSAT reached Latuff in Rio de Janeiro and conducted this on-line interview.

MENASSAT: Can you tell us about your personal history? Your biography says you're 40-years-old. How long have you been a cartoonist?

CARLOS LATUFF: I have been a professional artist since 1989. I started as an illustrator for a small advertising agency and then worked as a political cartoonist for leftist trade union papers in 1990. But I've been drawing since I was a kid.

MENASSAT: Why did you decide to focus on issues relating to the Arab world?

CARLOS LATUFF: My work doesn't only concern the Arab world. I also draw cartoons about concerns closer to home, like the police brutality in Brazil, the right-wing conspiracy against Evo Morales and his administration in Bolivia, and elsewhere, about events like the Russia-Georgia crisis, the riots in Greece, and so on. I do have a special focus on Palestine because of the time I spent there. When I was in the West Bank in 1999, I decided I would support the Palestinian struggle with my art.

MENASSAT: You've characterized your work as controversial. What is at the heart of your cartoons that makes them controversial?

CARLOS LATUFF: Touching the taboo of the Palestinian-Israeli [conflict] is always controversial, especially when you take the side of the oppressed. My art intends to break the common perception of the issue and it challenges the mainstream version of the conflict.

MENASSAT: Your work has been featured on Independent Media Center sites (www.imc.org) worldwide and in more mainstream publications like The Toronto Star. Which outlets have more impact on the public and does that matter to you?

CARLOS LATUFF: Having my cartoons shown from time to time in the mainstream media is only a consequence. The method I rely on the most to distribute my drawings are the good people throughout the world that are willing to reproduce my images online, via email, on their websites, etcetera.

MENASSAT: Your cartoon series, "We are all Palestinians," published on the Swiss Independent Media Center (IMC) site in 2002 prompted a Jewish organization to level the charge of anti-Semitism towards your work. A Swiss court suspended the criminal proceedings, but do you think it was anti-Semitism?

CARLOS LATUFF: Regarding cartoons and anti-Semitism, I have a recent interview with Eddy Portnoy, which clarifies my opinion about this on my blog, Tales of Iraq War. As a cartoonist, I feel comfortable enough to make any comparison I think necessary that expresses my point. Metaphors are the key point to political cartooning. Of course Israel isn't building gas chambers in the West Bank, but surely we can find some similarities between the treatment given to Palestinians by the [Israel Defense Forces] and the Jews under Nazi rule.

Inaccurate or not, it's important to highlight that such comparisons have been made worldwide—not only by cartoonists but by people such as Yosef 'Tommy' Lapid, Ariel Sharon's former Justice Minister and a Holocaust survivor [who died in June of 2008.] He said in 2004, during an interview, that a photo of an elderly Palestinian woman searching through rubble reminded him of his grandmother who died in Auschwitz. For me, this is more painful than comparisons of how Palestinians live under Israeli occupation.

My cartoons have no focus on the Jews or on Judaism. My focus is Israel as a political entity, as a government, their armed forces being a satellite of US interests in the Middle East, and especially Israeli policies toward the Palestinians. It happens to be Israeli Jews that are the oppressors of Palestinians. If they were Christians, Muslims or Buddhists, I would criticize them the same way. I made cartoons about George Bush, Condoleezza Rice, Tony Blair, [former Mexican President] Ernesto Zedillo, [former Chilean dictator Augusto] Pinochet, and none of them were Jewish.

I mean… you insult the Muslims with a cartoon depicting the Prophet Muhammad as a [suicide] bomber and claim the right to freedom of speech, but if you make drawings about the Holocaust, then it's hatred against the Jews.

MENASSAT: On your deviant art page, you list Sebastião Salgado as a big influence. A lot of his work has dealt with the oppressed and downtrodden in societies, and
 his assignments are often lengthy ones. Do you look to replicate this documentary approach with your cartoon work—as opposed to a one-off political cartoon?

CARLOS LATUFF: The cartoons I make aren't directed at middle-class, bourgeoisie readers, so I really don't care about what they think or believe. I make art for people living in Gaza, in Baghdad, in the slums of Latin America, ordinary people, the populace. I hope this art can serve to boost the morale of people suffering and the freedom fighters in every corner of the planet.



ShareThis Bookmark and Share
Tagged as: , , , , ,

Carlos Latuff is a friend of Palestinian people.
Email this author | All posts by Carlos Latuff

No comments: