Welcome !! A Call to Participants & "Faits Divers & Fate's Divers"

I started this blog as a site where poets, artists, Visual Poets, Mail Artists, researchers, essayists, reviewers, artist-ragers, zine makers, comix, graffiti makers may have a place to contribute and display works which express their visions of the historical and contemporary interelated lives of Anarchy & the Arts--
This site is for any persons who are actively interested in and working in these areas
Theoretical letters are welcome, stories, photos, anything which
investigates the everyday all around one with a questioning Anarkeyological spirit & energy. Insight and Incite!
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Since to an American ear and reader the homophonic punning possibilities of the title "Faits Divers" in French are completely absent, IL Maestro di "PAROLE IN LIBERACE" Professore G-A Vidiamodopo suggests instead the use of an American homophonic translation, in order to keep alive the sense of
"Une Joie de Vivre qui se trouve a travers les Jeux du Mots."
(A Joy of Life found through Plays on Words)

--and now allow me to turn over the podium to our illustrious and well-beloved colleague, Il Maestro, Giulio Agosto di Vidiamodopo--

the Fondatore, who has given us the eternally generative legacy of his never-to-exhausted "Grand Song of the Open Piano" under the sign of his immortal


echoes of which one may find in all manifestations Visual Sonic Visceral which in their very most particulate, singular and also massed, on-flowing wave existences acknowledge the inspiring and influential, ceaselessly experimenting presence of Il Maestro among their notations of Found and Accidental scores . .

Then, with a magnificent flourish, Il Maestro di Parole in Liberace enters stage left and announces the entry into the world of the "Faits Divers--Fates' Divers"--

Special Forces' Lieutenant X announces the Vernissage of his "Celestial Snuff Films" at Galeria Gore,Friday, 19:00-24:00 hr. Combining his Fighter Jet's elegantly enhanced and edited videos with his own high powered zoom photos and infra red images, the young hero creates the "Theater of Certain Death" as seen by both the "Omniscient Eye's View from Above," and the "subjective focus on the Eroticism of the Subject's Snuffing on the ground."

Exactly at 8, the New American Extreme Experimental Fascist Poets' opening salvo of "Militarized Morphemes" created Pure Terror. Renditioning subjects from the audience using Chance Operations, the Poets undertook "Interrogations of Parole" via the branding of each Tongue as a Forbidden Langue. By making speech mute, projected words announced, the subject existed now only as name brands of material language.

Felix Feneon Editing La Revue Blanche --painted by Felix Vallotton

Felix Feneon Editing La Revue Blanche --painted by Felix Vallotton

from Nouvelles en trois lignes/Three Line News Items/ Short Stories

Feneon created the simultaneous "news/"stories" of his Nouvelles
with perhaps "more in mind" than his own punning use of the Faits Divers' Nouvelles en trois lignes--

he may have been thinking also of the example of Gusrave Flaubert
who several decades earlier had created out of a provincial journal’s Faits Divers the novel Madame Bovary:

“Delphine Delamare, 27, wife of a medical officer in Ry, displayed insufficient austerity. Worse, she ran up debts. To avoid paying them, she took poison.”

Nurse Elise Bachmann, whose day off was yesterday, put
on a public display of insanity.

A complaint was sworn by the Persian physician Djai Khan
against a compatriot who had stolen from him a tiara.

A dozen hawkers who had been announcing news of a
nonexistent anarchist bombing at the Madeleine have
been arrested.

A certain madwoman arrested downtown falsely claimed
to be nurse Elise Bachmann. The latter is perfectly sane.

On Place du Pantheon, a heated group of voters attempted
to roast an effigy of M. Auffray, the losing candidate. They
were dispersed.

Arrested in Saint-Germain for petty theft, Joël Guilbert
drank sublimate. He was detoxified, but died yesterday of
delirium tremens.

The photographer Joachim Berthoud could not get over the
death of his wife. He killed himself in Fontanay-sous-Bois.

Reverend Andrieux, of Roannes, near Aurillac, whom a
pitiless husband perforated Wednesday with two rifle
shots, died last night.

In political disagreements, M. Begouen, journalist, and
M. Bepmale, MP, had called one another "thief" and
"liar." They have reconciled.

Thursday, December 18, 2008

Feneon's Fait Divers are the perfect size for Twiiter Serialization

from if:book The Institute for the Future of the Book

twittering from the past 08.11.2008, 12:18 PM

A couple of weeks ago, Sebastian Mary posted about experiments with sending out literature via Twitter. She found herself disappointed that DailyLit was neither "abridging the text savagely for hyper-truncated delivery, or else delivering the unabridged text 140 characters at a time"; instead, texts not built for Twitter were being shoehorned into the Twitter form. Twitter might be the electronic form du jour, but this is a problem as old as electronic writing: the presumption that texts are form-agnostic.
An interesting approach to the problem comes from an unexpected source: the New York Review of Books has begun serializing Félix Fénéon's Novels in Three Lines via Twitter in Luc Sante's translation. Fénéon was a fin-de-siècle French writer who's best known as the art critic who coined the term "pointillism". (Paul Signac's portrait of him, Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints, Portrait of Felix Feneon in 1890, is below.) Fénéon was a man of many talents; while publicly known as an anarchist and the first French publisher of James Joyce, he was secretly a master of miniaturized text. His anonymous feuilletonage in Le Matin in 1906 condensed the news of the day to masterpieces of phrasing:
In a café on Rue Fontaine, Vautour, Lenoir, and Atanis exchanged a few bullets regarding their wives, who were not present.
Fénéon's hypercompression lends itself to Twitter. In a book, these pieces don't quite have space to breathe; they're crowded by each other, and it's more difficult for the reader to savor them individually. As Twitter posts, they're perfectly self-contained, as they would have been when they appeared as feuilleton.

A quotation from Buckminster Fuller (from Synergetics 529.10) seems apropos for thinking about why Fénéon seems so suited to Twitter:
It is one of the strange facts of experience that when we try to think about the future, our thoughts jump backwards. It may well be that nature has some fundamental metaphysical law by which opening up what we call the future also opens up the past in equal degree.
Posted by dan visel at 12:18 PM | Comments (1)
tags: Microlit , feuilleton , fénéon , nyrb , twitter

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